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	<title>blog.conigs.com &#187; mograph</title>
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	<description>post-production, video, films, and general foolishness</description>
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		<title>More VFX Shops Shutting Their Doors</title>
		<link>http://conigs.tumblr.com/post/456675466</link>
		<comments>http://conigs.tumblr.com/post/456675466#comments</comments>
		<pubDate>Thu, 18 Mar 2010 14:11:11 +0000</pubDate>
		<dc:creator>conigs</dc:creator>
				<category><![CDATA[Quickies]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[core pictures]]></category>
		<category><![CDATA[effects corner]]></category>
		<category><![CDATA[image movers]]></category>
		<category><![CDATA[mograph]]></category>
		<category><![CDATA[motion design]]></category>
		<category><![CDATA[tumblr]]></category>
		<category><![CDATA[vfx]]></category>
		<category><![CDATA[visual fx]]></category>

		<guid isPermaLink="false">http://conigs.tumblr.com/post/456675466</guid>
		<description><![CDATA[<p>Scott Squires over at Effects Corner has <a href="http://effectscorner.blogspot.com/2010/03/vfx-companies-continue-to-fall.html">a good write up</a> on the current state of VFX shops and that two more are shutting their doors: <a href="http://www.awn.com/news/business/disney-close-zemeckis-imagemovers-digital-studio">Image Movers</a> &#038; <a href="http://www.canadiananimationresources.ca/?p=1371">Core Pictures</a>.</p>
<p>It’s a shame so many good shops are shutting their doors. But The industry is so fragile. Everyone is trying to underbid the next guy and margins are extremely thin. It doesn’t help that there’s always the push from studios (or clients) to get something twice as good for half the price &#038; half the time. </p>
<p>I just worry that commercial (as in commissioned by agencies or clients, not necessarily broadcast) motion design might suffer a similar fate. </p>]]></description>
			<content:encoded><![CDATA[<p>Scott Squires over at Effects Corner has <a href="http://effectscorner.blogspot.com/2010/03/vfx-companies-continue-to-fall.html">a good write up</a> on the current state of VFX shops and that two more are shutting their doors: <a href="http://www.awn.com/news/business/disney-close-zemeckis-imagemovers-digital-studio">Image Movers</a> &#038; <a href="http://www.canadiananimationresources.ca/?p=1371">Core Pictures</a>.</p>
<p>It’s a shame so many good shops are shutting their doors. But The industry is so fragile. Everyone is trying to underbid the next guy and margins are extremely thin. It doesn’t help that there’s always the push from studios (or clients) to get something twice as good for half the price &#038; half the time. </p>
<p>I just worry that commercial (as in commissioned by agencies or clients, not necessarily broadcast) motion design might suffer a similar fate. </p>
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		<title>Mograph Workflow for NY Times</title>
		<link>http://blog.conigs.com/2009/10/mograph-workflow-for-ny-times/</link>
		<comments>http://blog.conigs.com/2009/10/mograph-workflow-for-ny-times/#comments</comments>
		<pubDate>Wed, 28 Oct 2009 19:25:15 +0000</pubDate>
		<dc:creator>conigs</dc:creator>
				<category><![CDATA[Finds]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[after effects]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[mograph]]></category>
		<category><![CDATA[motion graphics]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[ny times]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[workflow]]></category>

		<guid isPermaLink="false">http://blog.conigs.com/?p=1099</guid>
		<description><![CDATA[With so many newspapers seeing decline in their physical circulation, it&#8217;s nice to see a paper like the New York Times embracing the flexibility of content that the Internet can offer.
Recently, their After Effects workflow was posted on digitalartwork.net. It&#8217;s a little rough and they fully admit they&#8217;re new to the mograph game, but it&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p>With so many newspapers <a href="http://www.theawl.com/2009/10/a-graphic-history-of-newspaper-circulation-over-the-last-two-decades">seeing decline</a> in their physical circulation, it&#8217;s nice to see a paper like the <a href="http://www.nytimes.com/">New York Times</a> embracing the flexibility of content that the Internet can offer.</p>
<p>Recently, <a href="http://digitalartwork.net/2009/10/26/after-effects-workflow-at-the-new-york-times/">their After Effects workflow</a> was posted on digitalartwork.net. It&#8217;s a little rough and they fully admit they&#8217;re new to the mograph game, but it&#8217;s always interesting to see how someone else works.</p>
<p>Now if only other papers would realize Internet distribution offers more than digital copies of their print.</p>
<p>Here&#8217;s the New Your Times&#8217; demo reel:<br />
<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="720" height="396" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=7167163&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="720" height="396" src="http://vimeo.com/moogaloop.swf?clip_id=7167163&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
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