<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>blog.conigs.com &#187; p2</title>
	<atom:link href="http://blog.conigs.com/tags/p2/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.conigs.com</link>
	<description>post-production, video, films, and general foolishness</description>
	<lastBuildDate>Sun, 05 Feb 2012 03:45:49 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3</generator>
		<item>
		<title>MCA-I Madison Session Notes</title>
		<link>http://blog.conigs.com/2011/05/mca-i-madison-session-notes/</link>
		<comments>http://blog.conigs.com/2011/05/mca-i-madison-session-notes/#comments</comments>
		<pubDate>Fri, 13 May 2011 16:09:12 +0000</pubDate>
		<dc:creator>conigs</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[5D]]></category>
		<category><![CDATA[7D]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[fcp]]></category>
		<category><![CDATA[mca-i]]></category>
		<category><![CDATA[mca-i madison]]></category>
		<category><![CDATA[notes]]></category>
		<category><![CDATA[p2]]></category>
		<category><![CDATA[red]]></category>

		<guid isPermaLink="false">http://blog.conigs.com/?p=3973</guid>
		<description><![CDATA[Yesterday I had the privilege of speaking at a breakout session for the MCA-I Madison Spring seminar. The topic was tapeless post-production workflow (specifically for FCP, but we did briefly discuss Avid &#38; Premiere Pro). I promised everyone there I would post links to resources and some of the software we discussed in that session [...]]]></description>
			<content:encoded><![CDATA[<p>Yesterday I had the privilege of speaking at a breakout session for the <a href="http://mcaimadison.org/">MCA-I Madison</a> Spring seminar. The topic was tapeless post-production workflow (specifically for FCP, but we did briefly discuss Avid &amp; Premiere Pro). I promised everyone there I would post links to resources and some of the software we discussed in that session (and some we didn&#8217;t get to), so here it is:</p>
<p><strong>Software:<br />
</strong> <a href="http://usa.canon.com/cusa/professional/products/professional_cameras/digital_slr_cameras/eos_5d_mark_ii#DriversAndSoftware"> Canon EOS Plugin</a> &#8211; The official Canon plugin for Log &amp; Transfer. Convoluted download process: Select Mac OSX, then click find &#8220;EOS MOVIE Plugin-E1 for Final Cut Pro Ver1.2&#8243; in the list, and accept agreement.<br />
<a href="http://www.redgiantsoftware.com/products/all/magic-bullet-grinder/"> Magic Bullet Grinder</a> ($49) &#8211; Batch processing of DSLR footage, including proxies with timecode burn in.<br />
<a href="http://rarevision.com/5dtorgb/"> 5DtoRGB</a> &#8211; Process DSLR footage with more control and bypass QuickTime.<br />
<a href="http://www.andrewandoru.com/2010/09/07/labs-5ddtorgbb/"> 5DDtoRGBB</a> &#8211; (Unmentioned) Will launch multiple instances of 5DtoRGB for pseudo-batch processing.<br />
<a href="http://www.daun.ch/software/Clipfinder_2.2.zip"> Clipfinder 2.2</a> &#8211; Software to reconform FCP XML to RED proxies for passing to Color, among other advanced RED functions.<br />
<a href="http://www.red.com/system/downloads/files/65/RED_FCS_support_30.3.dmg">RED Final Cut Studio 3 Installer</a> &#8211; Includes QuickTime codec, Log &amp; Transfer plugin, and Color REDRAW plugin, as well as a useful whitepaper on RED workflow.<br />
<a href="http://www.red.com/system/downloads/files/78/REDCINE-X_Epic_OSX_454.zip">REDCine-X</a> &#8211; 1st light color correction and transcoding of RED files.</p>
<p><strong>Resources:<br />
</strong> <a href="http://reduser.net/forum/forum.php">RED User Forums</a> &#8211; (Unmentioned) Community of RED users, including posts from RED staff.<br />
<a href="http://lfhd.net/2011/04/22/inexpensive-archiving-for-tapeless-media/">Inexpensive Archiving for Tapless Media</a> &#8211; Post from Little Frog in High Def (Shane Ross) covering some LTO solutions he found at NAB2011.<br />
<a href="http://documentation.apple.com/en/finalcutpro/professionalformatsandworkflows/Final%20Cut%20Pro%207%20Professional%20Formats%20and%20Workflows%20(en).pdf">FCP 7 Digital Workflows</a> (PDF) &#8211; (Unmentioned) Straight from Apple, covers working in several formats, including REDCODE, P2, XDCAM, and AVC. Unfortunately, it does not cover DSLR footage. And for obvious reasons, only covers Apple software.</p>
<p>So there&#8217;s the things we went over, and some items that didn&#8217;t make it into the discussion in the alloted time. Feel free to <a href="#disqus_thread">leave a comment</a> or <a href="http://conigs.com/contact">contact me</a> if you have any questions.</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.conigs.com/2011/05/mca-i-madison-session-notes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Not to Transfer P2 Footage in FCP</title>
		<link>http://blog.conigs.com/2009/02/how-not-to-transfer-p2-footage-in-fcp/</link>
		<comments>http://blog.conigs.com/2009/02/how-not-to-transfer-p2-footage-in-fcp/#comments</comments>
		<pubDate>Wed, 25 Feb 2009 18:30:46 +0000</pubDate>
		<dc:creator>conigs</dc:creator>
				<category><![CDATA[Quickies]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[fcp]]></category>
		<category><![CDATA[final cut pro]]></category>
		<category><![CDATA[p2]]></category>
		<category><![CDATA[panasonic]]></category>

		<guid isPermaLink="false">http://blog.conigs.com/?p=916</guid>
		<description><![CDATA[I was looking over a portable drive to make sure we had all the footage for a project. This is what I had to dig through (project name has been obscured for confidentiality): Fun times.]]></description>
			<content:encoded><![CDATA[<p>I was looking over a portable drive to make sure we had all the footage for a project. This is what I had to dig through (project name has been obscured for confidentiality):<br />
<img class="size-full wp-image-917 alignnone" title="p2-transfer" src="http://blog.conigs.com/wp-content/uploads/2009/02/p2-transfer.png" alt="p2-transfer" width="295" height="506" /></p>
<p>Fun times.</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.conigs.com/2009/02/how-not-to-transfer-p2-footage-in-fcp/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

