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	<title>blog.conigs.com &#187; sony</title>
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	<link>http://blog.conigs.com</link>
	<description>post-production, video, films, and general foolishness</description>
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		<title>Zacuto Camera Shoot-Out 08</title>
		<link>http://blog.conigs.com/2008/12/zacuto-camera-shoot-out-08/</link>
		<comments>http://blog.conigs.com/2008/12/zacuto-camera-shoot-out-08/#comments</comments>
		<pubDate>Thu, 11 Dec 2008 15:27:49 +0000</pubDate>
		<dc:creator>conigs</dc:creator>
				<category><![CDATA[Finds]]></category>
		<category><![CDATA[35mm]]></category>
		<category><![CDATA[5D]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[D90]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[panasonic]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[sony]]></category>
		<category><![CDATA[test]]></category>
		<category><![CDATA[zacuto]]></category>

		<guid isPermaLink="false">http://blog.conigs.com/?p=692</guid>
		<description><![CDATA[Zacuto recently held a camera shoot-out (video also embeded after the break) to compare image quality. Actually, it&#8217;s more of a format comparison. The cameras/formats compared: 35mm Film Red One Sony EX3 Panasonic HVX200 (w/ Letus &#38; Redrock Micro adapters) Panasonic HPX170 Panasonic HPX300 Canon XH-A1 Canon 5D MkII Nikon D90 You can probably skip [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.zacuto.com/">Zacuto</a> recently held a <a href="http://vimeo.com/2437826">camera shoot-out</a> (video also embeded after the break) to compare image quality. Actually, it&#8217;s more of a format comparison. The cameras/formats compared:</p>
<ul>
<li>35mm Film</li>
<li>Red One</li>
<li>Sony EX3</li>
<li>Panasonic HVX200 (w/ Letus &amp; Redrock Micro adapters)</li>
<li>Panasonic HPX170</li>
<li>Panasonic HPX300</li>
<li>Canon XH-A1</li>
<li>Canon 5D MkII</li>
<li>Nikon D90</li>
</ul>
<p>You can probably skip through the first six minutes or so to get to the footage comparison. Copied &amp; pasted from my IM with <a href="http://dembro.org">Dembro</a>, here are my impressions:</p>
<ul>
<li>Film: Awesome.</li>
<li>Red: I know for a fact Red footage looks great, what did they do<sup><a href="http://blog.conigs.com/2008/12/zacuto-camera-shoot-out-08/#footnote_0_692" id="identifier_0_692" class="footnote-link footnote-identifier-link" title="Not to knock Filmworkers, but some Red footage we had color graded there &amp;amp; down-converted to SD also looked a little off as well. But I&amp;#8217;m sure they, like the rest of us, are still working out our Red workflows.">1</a></sup>?</li>
<li>HPX300: DOF is terrible, color is nice.</li>
<li>HVX200 (Letus Ultimate): Noisy, soft.</li>
<li>HVX200 (Letus Elite): Same.</li>
<li>HVX200 (Redrock): Same.</li>
<li>EX3: Not bad, but something seems strange with the focus.</li>
<li>HPX170: Okay, but a bit dull.</li>
<li>XH-A1: Blah.</li>
<li>5D MkII: What did they do? That camera is praised for its low light capabilities, but the blacks are completely crushed.</li>
<li>D90: Flat.</li>
</ul>
<p>Dembro &amp; I both came to the same conclusions: 1.) Film looks pristine and b.) It looks like Zacuto is really trying to push their low end cameras to people who otherwise wouldn&#8217;t have even thought of renting one to begin with.</p>
<p>In all honesty, though, the closing statement is spot on: Any of these cameras in the hands of a <em>skilled professional</em> can produce great results.</p>
<p><span id="more-692"></span><br />
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<a href="http://vimeo.com/2437826">Zacuto&#8217;s Great Camera Shootout &#8217;08</a> from <a href="http://vimeo.com/zacuto">Steve Weiss, Zacuto USA</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<ol class="footnotes"><li id="footnote_0_692" class="footnote">Not to knock <a href="http://www.filmworkers.com/">Filmworkers</a>, but some Red footage we had color graded there &amp; down-converted to SD also looked a little off as well. But I&#8217;m sure they, like the rest of us, are still working out our Red workflows.</li></ol>]]></content:encoded>
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		<title>New Sony 4k Projectors</title>
		<link>http://blog.conigs.com/2008/09/new-sony-4k-projectors/</link>
		<comments>http://blog.conigs.com/2008/09/new-sony-4k-projectors/#comments</comments>
		<pubDate>Wed, 17 Sep 2008 16:57:42 +0000</pubDate>
		<dc:creator>conigs</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[4k]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[prokector]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[sony]]></category>

		<guid isPermaLink="false">http://blog.conigs.com/?p=572</guid>
		<description><![CDATA[While not ready for the home yet, Sony&#8217;s new 4k projectors look impressive. Each projects touts a 4,096&#215;2,160 resolution with the T105 at 5,500 lumens and the T110 at 11,000. But at roughly $78,000 for the former and $120,000 for the latter, these are aimed squarely at large cinemas and museums (not to mention the [...]]]></description>
			<content:encoded><![CDATA[<p>While not ready for the home yet, <a href="http://www.engadget.com/2008/09/17/sony-stuns-with-srx-t110-srx-t105-4k-x-2k-projectors/">Sony&#8217;s new 4k projectors</a> look impressive. Each projects touts a 4,096&#215;2,160 resolution with the T105 at 5,500 lumens and the T110 at 11,000. But at roughly $78,000 for the former and $120,000 for the latter, these are aimed squarely at large cinemas and museums (not to mention the fact that they&#8217;re being released in Japan in November). I&#8217;d still love to see some RED projects projected on one of these. I just might have to wait a bit.</p>
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